Rose Barn Theatre
Sleepy Hollow Project
as
conceived by Dr. Larry C. Bobbert
Version
3 (approximately
175 kb) If you copy and print this script the table of
CONTENTS may not be accurate
This “script” is created to give “Scene” Directors the story
“subject matter” that they are to create around. The sequence of
the original story is maintained by the order of the scenes. Transition
“staging will take some liberties. Where the
script font is larger—those
exact words from the original story will be used.
This occurs in the parts
the producer will direct.
CONCEPT
Divide the story into 6 or 7 major “location events -SCENES.”
Actors in the transition areas between stages will help the story along
and provide entertaining and dramatic elements.
NOTE
to Directors:
This outline is provided so scene directors know what
part of the story
you will represent in some dramatic fashion. The “scenes” will be
distributed to directors as requested.
First to ask – first to be assigned a subject area.
Contents
Page Director
Opening/Scene 1
2
Larry C.
Bobbert
Transition 1
5 ________
Scene 2
5
Julie Britt
Transition 2
8
Larry C.
Bobbert
Scene 3
8
Dr. Alice Jones
Transition 3
13 ________
Transition 3a 13
Scene 4
(School House)
13
Tom Jones
Transition 4
17 ________
Bridge
18
Larry C.
Bobbert
Transition 5
18 ________
Scene 5 (Church)
19
Sara Evans
Transition 6
19 ________
Scene 6
20
Rusty Rechenbach
Transition 7
(Could be
scene)
23 ________
Transition 8
25 ________
Exit
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Visuals/
Dir Notes |
Suggested Production values |
Original
The Legend of Sleepy Hollow
by
Washington Irving-
Text from Project Gutenberg (Also includes some “stage
directions”) |
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Stage one/
Subject 1*
Dir L Bobbert
*Subject
means the pages containing material from which the “Scene script”
will be prepared |
Interior
of Rose Barn Theatre. Audience enters East half set up as a school
room with benches and a black board painted on rear wall |
Children are seated on benches with
the teacher behind a desk at the “head of the class” (Stage Right) |
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Teacher/reader Reading from an old book to the class |
Teacher In
the bosom of one of those spacious coves which indent the eastern
shore of the Hudson, at that broad expansion of the river
denominated by the ancient Dutch navigators the Tappan Zee, and
where they always prudently shortened sail and implored the
protection of St. Nicholas when they crossed, there lies a small
market town or rural port, which by some is called Greensburgh, but
which is more generally and properly known by the name of
(pause) |
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Kid 1
Tarry Town. |
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Teacher
calls on one of the children |
Teacher This
name was given, we are told, in former days, by |
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Kid
(proud to knowy) |
Kid 2
housewives
of the adjacent country |
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Teacher Why was it called
Tarry Town |
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Kid
(very smart alec(y) |
Kid 3 (because
of) the inveterate propensity of their
husbands to linger about the village tavern on market days |
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May have video projection on side wall?
Projection may turn into spooky environment. |
Teacher
Be that as it may, I do not vouch for the
fact, but merely (refer)
to it, for the sake of being precise and
authentic.
Not far from this village, perhaps about two
miles, there is a little valley or rather lap of land among high
hills, which is one of the quietest places in the whole world. A
small brook glides through it, with just murmur enough to lull one
to repose; and the occasional whistle of a quail or tapping of a
woodpecker is almost the only sound that ever breaks in upon the
uniform tranquility. |
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Kids ahhhh
(and lean back
as if to sleep) |
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Teacher
(gives stern
look and they jump back up)
(indicating the
reading continues)
I recollect that, when a stripling, my first
exploit in squirrel-shooting was in a grove of tall walnut-trees
that shades one side of the valley. I had wandered into it at
noontime, when all nature is peculiarly quiet, and was startled by
the roar of my own gun, as it broke the Sabbath stillness around and
was prolonged and reverberated by the angry echoes. If ever I should
wish for a retreat (to hide from) the
world and its distractions, and dream quietly away (all my
troubles), I know of none more promising than
this little valley. (assumes
a scary countenance) From the listless
repose of the place, and the peculiar character of its inhabitants,
who are descendants from (pause)
Kid
the original Dutch settlers
Teacher this sequestered glen has long
been known by the name of (pause) |
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Kids
SLEEPY HOLLOW
Teacher and its rustic lads
are called the
Kids Sleepy
Hollow Boys
Kid 4
(arrogantly as
if a member) throughout all the
neighboring country. |
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Teacher
(dramatically)
A drowsy, dreamy influence seems to
hang over the land, and to pervade the very atmosphere. Some say
that the place was bewitched by a High German doctor, during the
early days of the settlement; others, that an old Indian chief, the
prophet or wizard of his tribe, held his powwows there before the
country was discovered by Master Hendrick Hudson. Certain it is, the
place still continues under the sway of some witching power, that
holds a spell over the minds of the good people, causing them to
walk in a continual reverie. They are given to all kinds of
marvellous beliefs,
Kid _ (The go into)
to trances
Kid _ (have)
visions,
TEACHER
and frequently
Kid see
strange sights
Kid _hear
music
Kid _
and voices in the air.
Teacher The
whole neighborhood abounds with local tales, haunted spots, and
twilight superstitions;
Kid _ stars
shoot and meteors glare oftener across the valley than in any other
part of the country,
Girl
(sadly)
(People have) nightmares
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May be enhanced by video projection |
TEACHER
The dominant spirit, however, that haunts this enchanted
region, and seems to be commander-in-chief of all the powers of the
air, is the apparition of a figure on horseback, without a head. It
is said by some to be the ghost of a Hessian trooper, whose head had
been carried away by a cannon-ball, in some nameless battle during
the Revolutionary War, and who is ever and anon seen by the country
folk hurrying along in the gloom of night, as if on the wings of the
wind. His haunts are not confined to the valley, but extend at times
to the adjacent roads, and especially to the vicinity of a church at
no great distance. Indeed, certain of the most authentic historians
of those parts, who have been careful in collecting and collating
the floating facts concerning this spectre, allege that the body of
the trooper having been buried in the churchyard, the ghost rides
forth to the scene of battle in nightly quest of his head, and that
the rushing speed with which he sometimes passes along the Hollow,
like a midnight blast, is owing to his being belated, and in a hurry
to get back to the churchyard before daybreak. |
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Such is the general purport of this legendary
superstition, which has furnished materials for many a wild story in
that region of shadows; and the spectre is known at all the country
firesides, by the name of |
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Kids the Headless Horseman
of Sleepy Hollow. |
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While
the teacher reads sounds of a horse galloping closer and closer
then walks
A light
comes up off stage right to reveal a headless hoseman who remains
quietly in place
He draws
his sword and tosses a pumpkin head toward the audience
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Teacher reads
It is remarkable that the visionary propensity
I have mentioned is not confined to the native inhabitants of the
valley, but is unconsciously imbibed by every one who resides there
for a time. However wide awake they may have been before they
entered that sleepy region, they are sure, in a little time, to
inhale the witching influence of the air, and begin to grow
imaginative, to dream dreams, and see apparitions.
I mention this peaceful spot with all possible
laud, for it is in such little retired Dutch valleys, found here and
there embosomed in the great State of New York, that population,
manners, and customs remain fixed, while the great torrent of
migration and improvement, which is making such incessant changes in
other parts of this restless country, sweeps by them unobserved.
They are like those little nooks of still water, which border a
rapid stream, where we may see the straw and bubble riding quietly
at anchor, or slowly revolving in their mimic harbor,
undisturbed by the rush of the passing
current. Though many years have elapsed since I trod the drowsy
shades of Sleepy Hollow, yet I question whether I should not still
find the same trees and the same families vegetating in its
sheltered bosom. |
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All
scream and run into the audience
A gunman
at the back shoots at the headless horse man and the light goes out
The
actors herd the audience off stage left into a dark maze
Kid
“come this way”
Kid
“help me”
Kid
“This way out
Gun man
shouting ”go out that way”
Teacher
“This way quickly” |
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End Stage 1 |
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Transition 1
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One or
two “towns people” tell of Ichabod as the people go to stage 2
May take
four people to
Stagger
through the group |
In this by-place of nature there
abode, in a remote period of American history, that is to say, some
thirty years since, a worthy wight of the name of Ichabod Crane, who
sojourned, or, as he expressed it, “tarried,” in Sleepy Hollow, for
the purpose of instructing the children of the vicinity. He was a
native of Connecticut, a State which supplies the Union
with pioneers for the mind as well as for the forest, and sends
forth yearly its legions of frontier woodmen and country
schoolmasters. The cognomen of Crane was not inapplicable to his
person. He was tall, but exceedingly lank, with narrow shoulders,
long arms and legs, hands that dangled a mile out of his sleeves,
feet that might have served for shovels, and his whole frame most
loosely hung together. His head was small, and flat at top, with
huge ears, large green glassy eyes, and a long snipe nose, so that
it looked like a weather-cock perched upon his spindle neck to tell
which way the wind blew. To see him striding along the profile of a
hill on a windy day, with his clothes bagging and fluttering about
him, one might have mistaken him for the genius of famine descending
upon the earth, or some scarecrow eloped from a cornfield.
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Scene 2 |
School
House
Singing
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His schoolhouse was a low building
of one large room, rudely constructed of logs; the windows partly
glazed, and partly patched with leaves of old copybooks. It was most
ingeniously secured at vacant hours, by a withe twisted in the
handle of the door, and stakes set against the window shutters; so
that though a thief might get in with perfect ease, he would find
some embarrassment in getting out,—an idea most probably borrowed by
the architect, Yost Van Houten, from the mystery of an eelpot. The
schoolhouse stood in a rather lonely but pleasant situation, just at
the foot of a woody hill, with a brook running close by, and a
formidable birch-tree growing at one end of it. From hence the low
murmur of his pupils’ voices, conning over their lessons, might be
heard in a drowsy summer’s day, like the hum of a beehive;
interrupted now and then by the authoritative voice of the master,
in the tone of menace or command, or, peradventure, by the appalling
sound of the birch, as he urged some tardy loiterer along the
flowery path of knowledge. Truth to say, he was a conscientious man,
and ever bore in mind the golden maxim, “Spare the rod and spoil the
child.” Ichabod Crane’s scholars certainly were not spoiled.
I would not have it imagined,
however, that he was one of those cruel potentates of the school who
joy in the smart of their subjects; on the contrary, he administered
justice with discrimination rather than severity; taking the burden
off the backs of the weak, and laying it on those of the strong.
Your mere puny stripling, that winced at the least flourish of the
rod, was passed by with indulgence; but the claims of justice were
satisfied by inflicting a double portion on some little tough
wrong-headed, broad-skirted Dutch urchin, who sulked and swelled and
grew dogged and sullen beneath the birch. All this he called “doing
his duty by their parents;” and he never inflicted a chastisement
without following it by the assurance, so consolatory to the
smarting urchin, that “he would remember it and thank him for it the
longest day he had to live.”
When school hours were over, he was
even the companion and playmate of the larger boys; and on holiday
afternoons would convoy some of the smaller ones home, who happened
to have pretty sisters, or good housewives for mothers, noted for
the comforts of the cupboard. Indeed, it behooved him to keep on
good terms with his pupils. The revenue arising from his school was
small, and would have been scarcely sufficient to furnish him with
daily bread, for he was a huge feeder, and, though lank, had the
dilating powers of an anaconda; but to help out his maintenance, he
was, according to country custom in those parts, boarded and lodged
at the houses of the farmers whose children he instructed. With
these he lived successively a week at a time, thus going the rounds
of the neighborhood, with all his worldly effects tied up in a
cotton handkerchief.
That all this might not be too
onerous on the purses of his rustic patrons, who are apt to consider
the costs of schooling a grievous burden, and schoolmasters as mere
drones, he had various ways of rendering himself both useful and
agreeable. He assisted the farmers occasionally in the lighter
labors of their farms, helped to make hay, mended the fences, took
the horses to water, drove the cows from pasture, and cut wood for
the winter fire. He laid aside, too, all the dominant dignity and
absolute sway with which he lorded it in his little empire, the
school, and became wonderfully gentle and ingratiating. He found
favor in the eyes of the mothers by petting the children,
particularly the youngest; and like the lion bold, which whilom so
magnanimously the lamb did hold, he would sit with a child on one
knee, and rock a cradle with his foot for whole hours together.
In addition to his other vocations,
he was the singing-master of the neighborhood, and picked up many
bright shillings by instructing the young folks in psalmody. It was
a matter of no little vanity to him on Sundays, to take his station
in front of the church gallery, with a band of chosen singers;
where, in his own mind, he completely carried away the palm from the
parson. Certain it is, his voice resounded far above all the rest of
the congregation; and there are peculiar quavers still to be heard
in that church, and which may even be heard half a mile off, quite
to the opposite side of the millpond, on a still Sunday morning,
which are said to be legitimately descended from the nose of Ichabod
Crane. Thus, by divers little makeshifts, in that ingenious way
which is commonly denominated “by hook and by crook,” the worthy
pedagogue got on tolerably enough, and was thought, by all who
understood nothing of the labor of headwork, to have a wonderfully
easy life of it.
The schoolmaster is generally a man
of some importance in the female circle of a rural neighborhood;
being considered a kind of idle, gentlemanlike personage, of vastly
superior taste and accomplishments to the rough country swains, and,
indeed, inferior in learning only to the parson. His appearance,
therefore, is apt to occasion some little stir at the tea-table of a
farmhouse, and the addition of a supernumerary dish of cakes or
sweetmeats, or, peradventure, the parade of a silver teapot. Our man
of letters, therefore, was peculiarly happy in the smiles of all the
country damsels. How he would figure among them in the churchyard,
between services on Sundays; gathering grapes for them from the wild
vines that overran the surrounding trees; reciting for their
amusement all the epitaphs on the tombstones; or sauntering, with a
whole bevy of them, along the banks of the adjacent millpond; while
the more bashful country bumpkins hung sheepishly back, envying his
superior elegance and address.
From his half-itinerant life, also,
he was a kind of travelling gazette, carrying the whole budget of
local gossip from house to house, so that his appearance was always
greeted with satisfaction. He was, moreover, esteemed by the women
as a man of great erudition, for he had read several books quite
through, and was a perfect master of Cotton Mather’s “History of New
England Witchcraft,” in which, by the way, he most firmly and
potently believed.
He was, in fact, an odd mixture of
small shrewdness and simple credulity. His appetite for the
marvellous, and his powers of digesting it, were equally
extraordinary; and both had been increased by his residence in this
spell-bound region. No tale was too gross or monstrous for his
capacious swallow. It was often his delight, after his school was
dismissed in the afternoon, to stretch himself on the rich bed of
clover bordering the little brook that whimpered by his schoolhouse,
and there con over old Mather’s direful tales, until the gathering
dusk of evening made the printed page a mere mist before his eyes.
Then, as he wended his way by swamp and stream and awful woodland,
to the farmhouse where he happened to be quartered, every sound of
nature, at that witching hour, fluttered his excited
imagination,—the moan of the whip-poor-will from the hillside, the
boding cry of the tree toad, that harbinger of storm, the dreary
hooting of the screech owl, or the sudden rustling in the thicket of
birds frightened from their roost. The fireflies, too, which
sparkled most vividly in the darkest places, now and then startled
him, as one of uncommon brightness would stream across his path; and
if, by chance, a huge blockhead of a beetle came winging his
blundering flight against him, the poor varlet was ready to give up
the ghost, with the idea that he was struck with a witch’s token.
His only resource on such occasions, either to drown thought or
drive away evil spirits, was to sing psalm tunes and the good people
of Sleepy Hollow, as they sat by their doors of an evening, were
often filled with awe at hearing his nasal melody, “in linked
sweetness long drawn out,” floating from the distant hill, or along
the dusky road.
Another of his sources
of fearful pleasure was to pass long winter evenings with the old
Dutch wives, as they sat spinning by the fire, with a row of apples
roasting and spluttering along the hearth, and listen to their
marvellous tales of ghosts and goblins, and haunted fields, and
haunted brooks, and haunted bridges, and haunted houses, and
particularly of the headless horseman, or Galloping Hessian of the
Hollow, as they sometimes called him. He would delight them equally
by his anecdotes of witchcraft, and of the direful omens and
portentous sights and sounds in the air, which prevailed in the
earlier times of Connecticut; and would frighten them woefully with
speculations upon comets and shooting stars; and with the alarming
fact that the world did absolutely turn round, and that they were
half the time topsy-turvy! |
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Transition 2 |
Travelers going with the audience
Fan
blowing from woods
Maybe
fine mist??
Ghostly
figures come out and tramp by the audience in transit
Headless
horseman is seen in the woods (Flashlight comes on to reveal the
horseman—sound effects on portable tape recorder of horse winning
and ghoust howling)
Someone
shouts and shoots at it then disappears
|
But if there was a pleasure in all
this, while snugly cuddling in the chimney corner of a chamber that
was all of a ruddy glow from the crackling wood fire, and where, of
course, no spectre dared to show its face, it was dearly purchased
by the terrors of his subsequent walk homewards. What fearful shapes
and shadows beset his path, amidst the dim and ghastly glare of a
snowy night! With what wistful look did he eye every trembling ray
of light streaming across the waste fields from some distant window!
How often was he appalled by some shrub covered with snow, which,
like a sheeted spectre, beset his very path! How often did he shrink
with curdling awe at the sound of his own steps on the frosty crust
beneath his feet; and dread to look over his shoulder, lest he
should behold some uncouth being tramping close behind him! And how
often was he thrown into complete dismay by some rushing blast,
howling among the trees, in the idea that it was the Galloping
Hessian on one of his nightly scourings!
All these, however, were mere
terrors of the night, phantoms of the mind that walk in darkness;
and though he had seen many spectres in his time, and been more than
once beset by Satan in divers shapes, in his lonely perambulations,
yet daylight put an end to all these evils; and he would have passed
a pleasant life of it, in despite of the Devil and all his works, if
his path had not been crossed by a being that causes more perplexity
to mortal man than ghosts, goblins, and the whole race of witches
put together, and that was—a woman. |
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Scene 3
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The
wooing of Katrina Van Tassel |
Among the musical disciples who
assembled, one evening in each week, to receive his instructions in
psalmody, was Katrina Van Tassel, the daughter and only child of a
substantial Dutch farmer. She was a blooming lass of fresh eighteen;
plump as a partridge; ripe and melting and rosy-cheeked as one of
her father’s peaches, and universally famed, not merely for her
beauty, but her vast expectations. She was withal a little of a
coquette, as might be perceived even in her dress, which was a
mixture of ancient and modern fashions, as most suited to set off
her charms. She wore the ornaments of pure yellow gold, which her
great-great-grandmother had brought over from Saardam; the tempting
stomacher of the olden time, and withal a provokingly short
petticoat, to display the prettiest foot and ankle in the country
round.
Ichabod Crane had a soft and foolish
heart towards the sex; and it is not to be wondered at that so
tempting a morsel soon found favor in his eyes, more especially
after he had visited her in her paternal mansion. Old Baltus Van
Tassel was a perfect picture of a thriving, contented,
liberal-hearted farmer. He seldom, it is true, sent either his eyes
or his thoughts beyond the boundaries of his own farm; but within
those everything was snug, happy and well-conditioned. He was
satisfied with his wealth, but not proud of it; and piqued himself
upon the hearty abundance, rather than the style in which he lived.
His stronghold was situated on the banks of the Hudson, in one of
those green, sheltered, fertile nooks in which the Dutch farmers are
so fond of nestling. A great elm tree spread its broad branches over
it, at the foot of which bubbled up a spring of the softest and
sweetest water, in a little well formed of a barrel; and then stole
sparkling away through the grass, to a neighboring brook, that
babbled along among alders and dwarf willows. Hard by the farmhouse
was a vast barn, that might have served for a church; every window
and crevice of which seemed bursting forth with the treasures of the
farm; the flail was busily resounding within it from morning to
night; swallows and martins skimmed twittering about the eaves; and
rows of pigeons, some with one eye turned up, as if watching the
weather, some with their heads under their wings or buried in their
bosoms, and others swelling, and cooing, and bowing about their
dames, were enjoying the sunshine on the roof. Sleek unwieldy
porkers were grunting in the repose and abundance of their pens,
from whence sallied forth, now and then, troops of sucking pigs, as
if to snuff the air. A stately squadron of snowy geese were riding
in an adjoining pond, convoying whole fleets of ducks; regiments of
turkeys were gobbling through the farmyard, and Guinea fowls
fretting about it, like ill-tempered housewives, with their peevish,
discontented cry. Before the barn door strutted the gallant cock,
that pattern of a husband, a warrior and a fine gentleman, clapping
his burnished wings and crowing in the pride and gladness of his
heart,—sometimes tearing up the earth with his feet, and then
generously calling his ever-hungry family of wives and children to
enjoy the rich morsel which he had discovered.
The pedagogue’s mouth watered as he
looked upon this sumptuous promise of luxurious winter fare. In his
devouring mind’s eye, he pictured to himself every roasting-pig
running about with a pudding in his belly, and an apple in his
mouth; the pigeons were snugly put to bed in a comfortable pie, and
tucked in with a coverlet of crust; the geese were swimming in their
own gravy; and the ducks pairing cosily in dishes, like snug married
couples, with a decent competency of onion sauce. In the porkers he
saw carved out the future sleek side of bacon, and juicy relishing
ham; not a turkey but he beheld daintily trussed up, with its
gizzard under its wing, and, peradventure, a necklace of savory
sausages; and even bright chanticleer himself lay sprawling on his
back, in a side dish, with uplifted claws, as if craving that
quarter which his chivalrous spirit disdained to ask while living.
As the enraptured Ichabod fancied
all this, and as he rolled his great green eyes over the fat meadow
lands, the rich fields of wheat, of rye, of buckwheat, and Indian
corn, and the orchards burdened with ruddy fruit, which surrounded
the warm tenement of Van Tassel, his heart yearned after the damsel
who was to inherit these domains, and his imagination expanded with
the idea, how they might be readily turned into cash, and the money
invested in immense tracts of wild land, and shingle palaces in the
wilderness. Nay, his busy fancy already realized his hopes, and
presented to him the blooming Katrina, with a whole family of
children, mounted on the top of a wagon loaded with household
trumpery, with pots and kettles dangling beneath; and he beheld
himself bestriding a pacing mare, with a colt at her heels, setting
out for Kentucky, Tennessee,—or the Lord knows where!
When he entered the house, the
conquest of his heart was complete. It was one of those spacious
farmhouses, with high-ridged but lowly sloping roofs, built in the
style handed down from the first Dutch settlers; the low projecting
eaves forming a piazza along the front, capable of being closed up
in bad weather. Under this were hung flails, harness, various
utensils of husbandry, and nets for fishing in the neighboring
river. Benches were built along the sides for summer use; and a
great spinning-wheel at one end, and a churn at the other, showed
the various uses to which this important porch might be devoted.
From this piazza the wondering Ichabod entered the hall, which
formed the centre of the mansion, and the place of usual residence.
Here rows of resplendent pewter, ranged on a long dresser, dazzled
his eyes. In one corner stood a huge bag of wool, ready to be spun;
in another, a quantity of linsey-woolsey just from the loom; ears of
Indian corn, and strings of dried apples and peaches, hung in gay
festoons along the walls, mingled with the gaud of red peppers; and
a door left ajar gave him a peep into the best parlor, where the
claw-footed chairs and dark mahogany tables shone like mirrors;
andirons, with their accompanying shovel and tongs, glistened from
their covert of asparagus tops; mock-oranges and conch-shells
decorated the mantelpiece; strings of various-colored birds eggs
were suspended above it; a great ostrich egg was hung from the
centre of the room, and a corner cupboard, knowingly left open,
displayed immense treasures of old silver and well-mended china.
From the moment Ichabod laid his
eyes upon these regions of delight, the peace of his mind was at an
end, and his only study was how to gain the affections of the
peerless daughter of Van Tassel. In this enterprise, however, he had
more real difficulties than generally fell to the lot of a
knight-errant of yore, who seldom had anything but giants,
enchanters, fiery dragons, and such like easily conquered
adversaries, to contend with and had to make his way merely through
gates of iron and brass, and walls of adamant to the castle keep,
where the lady of his heart was confined; all which he achieved as
easily as a man would carve his way to the centre of a Christmas
pie; and then the lady gave him her hand as a matter of course.
Ichabod, on the contrary, had to win his way to the heart of a
country coquette, beset with a labyrinth of whims and caprices,
which were forever presenting new difficulties and impediments; and
he had to encounter a host of fearful adversaries of real flesh and
blood, the numerous rustic admirers, who beset every portal to her
heart, keeping a watchful and angry eye upon each other, but ready
to fly out in the common cause against any new competitor.
Among these, the most
formidable was a burly, roaring, roystering blade, of the name of
Abraham, or, according to the Dutch abbreviation, Brom Van Brunt,
the hero of the country round, which rang with his feats of strength
and hardihood. He was broad-shouldered and double-jointed, with
short curly black hair, and a bluff but not unpleasant countenance,
having a mingled air of fun and arrogance. From his Herculean frame
and great powers of limb he had received the nickname of BROM BONES,
by which he was universally known. He was famed for great knowledge
and skill in horsemanship, being as dexterous on horseback as a
Tartar. He was foremost at all races and cock fights; and, with the
ascendancy which bodily strength always acquires in rustic life, was
the umpire in all disputes, setting his hat on one side, and giving
his decisions with an air and tone that admitted of no gainsay or
appeal. He was always ready for either a fight or a frolic; but had
more mischief than ill-will in his composition; and with all his
overbearing roughness, there was a strong dash of waggish good humor
at bottom. He had three or four boon companions, who regarded him as
their model, and at the head of whom he scoured the country,
attending every scene of feud or merriment for miles round. In cold
weather he was distinguished by a fur cap, surmounted with a
flaunting fox’s tail; and when the folks at a country gathering
descried this well-known crest at a distance, whisking about among a
squad of hard riders, they always stood by for a squall. Sometimes
his crew would be heard dashing along past the farmhouses at
midnight, with whoop and halloo, like a troop of Don Cossacks; and
the old dames, startled out of their sleep, would listen for a
moment till the hurry-scurry had clattered by, and then exclaim,
“Ay, there goes Brom Bones and his gang!” The neighbors looked upon
him with a mixture of awe, admiration, and good-will; and, when any
madcap prank or rustic brawl occurred in the vicinity, always shook
their heads, and warranted Brom Bones was at the bottom of it.
This rantipole hero had for some
time singled out the blooming Katrina for the object of his uncouth
gallantries, and though his amorous toyings were something like the
gentle caresses and endearments of a bear, yet it was whispered that
she did not altogether discourage his hopes. Certain it is, his
advances were signals for rival candidates to retire, who felt no
inclination to cross a lion in his amours; insomuch, that when his
horse was seen tied to Van Tassel’s paling, on a Sunday night, a
sure sign that his master was courting, or, as it is termed,
“sparking,” within, all other suitors passed by in despair, and
carried the war into other quarters.
Such was the formidable rival with
whom Ichabod Crane had to contend, and, considering all things, a
stouter man than he would have shrunk from the competition, and a
wiser man would have despaired. He had, however, a happy mixture of
pliability and perseverance in his nature; he was in form and spirit
like a supple-jack—yielding, but tough; though he bent, he never
broke; and though he bowed beneath the slightest pressure, yet, the
moment it was away—jerk!—he was as erect, and carried his head as
high as ever.
To have taken the field openly
against his rival would have been madness; for he was not a man to
be thwarted in his amours, any more than that stormy lover,
Achilles. Ichabod, therefore, made his advances in a quiet and
gently insinuating manner. Under cover of his character of
singing-master, he made frequent visits at the farmhouse; not that
he had anything to apprehend from the meddlesome interference of
parents, which is so often a stumbling-block in the path of lovers.
Balt Van Tassel was an easy indulgent soul; he loved his daughter
better even than his pipe, and, like a reasonable man and an
excellent father, let her have her way in everything. His notable
little wife, too, had enough to do to attend to her housekeeping and
manage her poultry; for, as she sagely observed, ducks and geese are
foolish things, and must be looked after, but girls can take care of
themselves. Thus, while the busy dame bustled about the house, or
plied her spinning-wheel at one end of the piazza, honest Balt would
sit smoking his evening pipe at the other, watching the achievements
of a little wooden warrior, who, armed with a sword in each hand,
was most valiantly fighting the wind on the pinnacle of the barn. In
the mean time, Ichabod would carry on his suit with the daughter by
the side of the spring under the great elm, or sauntering along in
the twilight, that hour so favorable to the lover’s eloquence.
I profess not to know how women’s
hearts are wooed and won. To me they have always been matters of
riddle and admiration. Some seem to have but one vulnerable point,
or door of access; while others have a thousand avenues, and may be
captured in a thousand different ways. It is a great triumph of
skill to gain the former, but a still greater proof of generalship
to maintain possession of the latter, for man must battle for his
fortress at every door and window. He who wins a thousand common
hearts is therefore entitled to some renown; but he who keeps
undisputed sway over the heart of a coquette is indeed a hero.
Certain it is, this was not the case with the redoubtable Brom
Bones; and from the moment Ichabod Crane made his advances, the
interests of the former evidently declined: his horse was no longer
seen tied to the palings on Sunday nights, and a deadly feud
gradually arose between him and the preceptor of Sleepy Hollow. |
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Transition 3 |
Male and
Female talk to the passers by on way to the bridge?
Or rough
riders shooting and shooting? |
Brom, who had a degree of rough
chivalry in his nature, would fain have carried matters to open
warfare and have settled their pretensions to the lady, according to
the mode of those most concise and simple reasoners, the
knights-errant of yore,—by single combat; but Ichabod was too
conscious of the superior might of his adversary to enter the lists
against him; he had overheard a boast of Bones, that he would
“double the schoolmaster up, and lay him on a shelf of his own
schoolhouse;” and he was too wary to give him an opportunity. There
was something extremely provoking in this obstinately pacific
system; it left Brom no alternative but to draw upon the funds of
rustic waggery in his disposition, and to play off boorish practical
jokes upon his rival. Ichabod became the object of whimsical
persecution to Bones and his gang of rough riders |
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Smoking
school house scene near lake in swamp (use smoke machine and lights
for glowing coals) |
. They harried his hitherto peaceful
domains; smoked out his singing school by stopping up the chimney;
broke into the schoolhouse at night, in spite of its formidable
fastenings of withe and window stakes, and turned everything
topsy-turvy, so that the poor schoolmaster began to think all the
witches in the country held their meetings there. But what was still
more annoying, Brom took all opportunities of turning him into
ridicule in presence of his mistress, and had a scoundrel dog whom
he taught to whine in the most ludicrous manner, and introduced as a
rival of Ichabod’s, to instruct her in psalmody.
In this way matters went on for some
time, without producing any material effect on the relative
situations of the contending powers. On a fine autumnal afternoon,
Ichabod, in pensive mood, sat enthroned on the lofty stool from
whence he usually watched all the concerns of his little literary
realm. In his hand he swayed a ferule, that sceptre of despotic
power; the birch of justice reposed on three nails behind the
throne, a constant terror to evil doers, while on the desk before
him might be seen sundry contraband articles and prohibited weapons,
detected upon the persons of idle urchins, such as half-munched
apples, popguns, whirligigs, fly-cages, and whole legions of rampant
little paper gamecocks. Apparently there had been some appalling act
of justice recently inflicted, for his scholars were all busily
intent upon their books, or slyly whispering behind them with one
eye kept upon the master; and a kind of buzzing stillness reigned
throughout the schoolroom |
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Trans scene??? |
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Would be
3a |
Black man and pony stands with note trying to give it to passers by
to deliver to Ichabod |
It was suddenly interrupted by the
appearance of a negro in tow-cloth jacket and trowsers, a
round-crowned fragment of a hat, like the cap of Mercury, and
mounted on the back of a ragged, wild, half-broken colt, which he
managed with a rope by way of halter. He came clattering up to the
school door with an invitation to Ichabod to attend a merry-making
or “quilting frolic,” to be held that evening at Mynheer Van
Tassel’s; and having delivered his message with that air of
importance, and effort at fine language, which a negro is apt to
display on petty embassies of the kind, he dashed over the brook,
and was seen scampering away up the hollow, full of the importance
and hurry of his mission |
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Stage 4 |
School House
or
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All was now bustle and hubbub in the
late quiet schoolroom. The scholars were hurried through their
lessons without stopping at trifles; those who were nimble skipped
over half with impunity, and those who were tardy had a smart
application now and then in the rear, to quicken their speed or help
them over a tall word. Books were flung aside without being put away
on the shelves, inkstands were overturned, benches thrown down, and
the whole school was turned loose an hour before the usual time,
bursting forth like a legion of young imps, yelping and racketing
about the green in joy at their early emancipation.
The gallant Ichabod now spent at
least an extra half hour at his toilet, brushing and furbishing up
his best, and indeed only suit of rusty black, and arranging his
locks by a bit of broken looking-glass that hung up in the
schoolhouse. That he might make his appearance before his mistress
in the true style of a cavalier, he borrowed a horse from the farmer
with whom he was domiciliated, a choleric old Dutchman of the name
of Hans Van Ripper, and, thus gallantly mounted, issued forth like a
knight-errant in quest of adventures. But it is meet I should, in
the true spirit of romantic story, give some account of the looks
and equipments of my hero and his steed. The animal he bestrode was
a broken-down plow-horse, that had outlived almost everything but
its viciousness. He was gaunt and shagged, with a ewe neck, and a
head like a hammer; his rusty mane and tail were tangled and knotted
with burs; one eye had lost its pupil, and was glaring and spectral,
but the other had the gleam of a genuine devil in it. Still he must
have had fire and mettle in his day, if we may judge from the name
he bore of Gunpowder. He had, in fact, been a favorite steed of his
master’s, the choleric Van Ripper, who was a furious rider, and had
infused, very probably, some of his own spirit into the animal; for,
old and broken-down as he looked, there was more of the lurking
devil in him than in any young filly in the country.
Ichabod was a suitable figure for
such a steed. He rode with short stirrups, which brought his knees
nearly up to the pommel of the saddle; his sharp elbows stuck out
like grasshoppers’; he carried his whip perpendicularly in his hand,
like a sceptre, and as his horse jogged on, the motion of his arms
was not unlike the flapping of a pair of wings. A small wool hat
rested on the top of his nose, for so his scanty strip of forehead
might be called, and the skirts of his black coat fluttered out
almost to the horses tail. Such was the appearance of Ichabod and
his steed as they shambled out of the gate of Hans Van Ripper, and
it was altogether such an apparition as is seldom to be met with in
broad daylight.
It was, as I have said, a fine
autumnal day; the sky was clear and serene, and nature wore that
rich and golden livery which we always associate with the idea of
abundance. The forests had put on their sober brown and yellow,
while some trees of the tenderer kind had been nipped by the frosts
into brilliant dyes of orange, purple, and scarlet. Streaming files
of wild ducks began to make their appearance high in the air; the
bark of the squirrel might be heard from the groves of beech and
hickory-nuts, and the pensive whistle of the quail at intervals from
the neighboring stubble field.
The small birds were taking their
farewell banquets. In the fullness of their revelry, they fluttered,
chirping and frolicking from bush to bush, and tree to tree,
capricious from the very profusion and variety around them. There
was the honest cock robin, the favorite game of stripling sportsmen,
with its loud querulous note; and the twittering blackbirds flying
in sable clouds; and the golden-winged woodpecker with his crimson
crest, his broad black gorget, and splendid plumage; and the cedar
bird, with its red-tipt wings and yellow-tipt tail and its little
monteiro cap of feathers; and the blue jay, that noisy coxcomb, in
his gay light blue coat and white underclothes, screaming and
chattering, nodding and bobbing and bowing, and pretending to be on
good terms with every songster of the grove.
As Ichabod jogged slowly on his way,
his eye, ever open to every symptom of culinary abundance, ranged
with delight over the treasures of jolly autumn. On all sides he
beheld vast store of apples; some hanging in oppressive opulence on
the trees; some gathered into baskets and barrels for the market;
others heaped up in rich piles for the cider-press. Farther on he
beheld great fields of Indian corn, with its golden ears peeping
from their leafy coverts, and holding out the promise of cakes and
hasty-pudding; and the yellow pumpkins lying beneath them, turning
up their fair round bellies to the sun, and giving ample prospects
of the most luxurious of pies; and anon he passed the fragrant
buckwheat fields breathing the odor of the beehive, and as he beheld
them, soft anticipations stole over his mind of dainty slapjacks,
well buttered, and garnished with honey or treacle, by the delicate
little dimpled hand of Katrina Van Tassel.
Thus feeding his mind with many
sweet thoughts and “sugared suppositions,” he journeyed along the
sides of a range of hills which look out upon some of the goodliest
scenes of the mighty Hudson. The sun gradually wheeled his broad
disk down in the west. The wide bosom of the
Tappan Zee
lay motionless and glassy, excepting that here and there a gentle
undulation waved and prolonged the blue shadow of the distant
mountain. A few amber clouds floated in the sky, without a breath of
air to move them. The horizon was of a fine golden tint, changing
gradually into a pure apple green, and from that into the deep blue
of the mid-heaven. A slanting ray lingered on the woody crests of
the precipices that overhung some parts of the river, giving greater
depth to the dark gray and purple of their rocky sides. A sloop was
loitering in the distance, dropping slowly down with the tide, her
sail hanging uselessly against the mast; and as the reflection of
the sky gleamed along the still water, it seemed as if the vessel
was suspended in the air.
It was toward evening that Ichabod
arrived at the castle of the Heer Van Tassel, which he found
thronged with the pride and flower of the adjacent country. Old
farmers, a spare leathern-faced race, in homespun coats and
breeches, blue stockings, huge shoes, and magnificent pewter
buckles. Their brisk, withered little dames, in close-crimped caps,
long-waisted short gowns, homespun petticoats, with scissors and
pincushions, and gay calico pockets hanging on the outside. Buxom
lasses, almost as antiquated as their mothers, excepting where a
straw hat, a fine ribbon, or perhaps a white frock, gave symptoms of
city innovation. The sons, in short square-skirted coats, with rows
of stupendous brass buttons, and their hair generally queued in the
fashion of the times, especially if they could procure an eel-skin
for the purpose, it being esteemed throughout the country as a
potent nourisher and strengthener of the hair.
Brom Bones, however, was the hero of
the scene, having come to the gathering on his favorite steed
Daredevil, a creature, like himself, full of mettle and mischief,
and which no one but himself could manage. He was, in fact, noted
for preferring vicious animals, given to all kinds of tricks which
kept the rider in constant risk of his neck, for he held a
tractable, well-broken horse as unworthy of a lad of spirit.
Fain would I pause to dwell upon the
world of charms that burst upon the enraptured gaze of my hero, as
he entered the state parlor of Van Tassel’s mansion. Not those of
the bevy of buxom lasses, with their luxurious display of red and
white; but the ample charms of a genuine Dutch country tea-table, in
the sumptuous time of autumn. Such heaped up platters of cakes of
various and almost indescribable kinds, known only to experienced
Dutch housewives! There was the doughty doughnut, the tender oly
koek, and the crisp and crumbling cruller; sweet cakes and short
cakes, ginger cakes and honey cakes, and the whole family of cakes.
And then there were apple pies, and peach pies, and pumpkin pies;
besides slices of ham and smoked beef; and moreover delectable
dishes of preserved plums, and peaches, and pears, and quinces; not
to mention broiled shad and roasted chickens; together with bowls of
milk and cream, all mingled higgledy-piggledy, pretty much as I have
enumerated them, with the motherly teapot sending up its clouds of
vapor from the midst—Heaven bless the mark! I want breath and time
to discuss this banquet as it deserves, and am too eager to get on
with my story. Happily, Ichabod Crane was not in so great a hurry as
his historian, but did ample justice to every dainty.
He was a kind and thankful creature,
whose heart dilated in proportion as his skin was filled with good
cheer, and whose spirits rose with eating, as some men’s do with
drink. He could not help, too, rolling his large eyes round him as
he ate, and chuckling with the possibility that he might one day be
lord of all this scene of almost unimaginable luxury and splendor.
Then, he thought, how soon he’d turn his back upon the old
schoolhouse; snap his fingers in the face of Hans Van Ripper, and
every other niggardly patron, and kick any itiner | |